FOSTER S HOME CHARACTERS TV

In 2015, writer Mike BartlettвЂ™s BBC marriage melodrama Doctor Foster was a sort of modern-day Medea about a glamorous GP (Suranne Jones) who suspected her property mogul husband (Bertie Carvel) was having an affair. The trend can be traced back to two hit shows, one from either side of the Atlantic. Are broadcasters trying to outdo each other with more and more opulent properties? Are they making compelling drama or glorified home makeover mood boards? Are we watching for entertainment or home decor вЂњinspoвЂќ?ДЄ viewing nation reared on Grand Designs builds, the Bake Off tent and Nigella Lawson cookery programmes now seem to demand high-spec homes and aspirational lifestyles as standard. Hollington Drive is just the latest example of TVвЂ™s recent obsession with implausibly fancy homes (kitchens a speciality). Stay for the Pinterest-friendly kitchens. Well, the domestic equivalent is now вЂњworktop pornвЂќ. The term вЂњwealth pornвЂќ has been coined for dramas about the super-rich elite, such as Succession and Billions. Sure, your 10-year-old might disappear in the woods but the interior decor is to die for, darling. The four-parterвЂ™s soft-focus setting might be ideal for disquieting drama but would you want to actually live in Hollington Drive? Everyone in this claustrophobic community is smug yet silently despairing. So-called friendships revolve around pass-agg one-upmanship. Their conversations are about smartwatches and sourdough, broadband speeds and diet вЂњcheat daysвЂќ. By night, they stand around clutching vast goblets of wine (the women) or bottled beer (the men). In the mornings, health-conscious couples workout with dumbbells in their gardens and make each other smoothies. вЂњThe DriveвЂќ is a strange Stepford-like enclave located somewhere in the Midlands. She and Theresa chat while perched in preposterously over-designed chairs, as if itвЂ™s perfectly normal. Later in the episode, thereвЂ™s a scene set upstairs in FraserвЂ™s teenage daughterвЂ™s bedroom. Even the barbecue looks futuristic, its flames appearing to emerge from nowhere. Light floods in from skylights and bifold doors, opening out onto a stylish terrace and manicured lawn. It flows seamlessly into an equally chic lounge area with Ercol furniture and an L-shaped sofa. Without looking inside, you just know the pasta recipe pages arenвЂ™t spattered with tomato sauce like a normal personвЂ™s. ThereвЂ™s an Instagrammable shelf of unthumbed Ottolenghi and Leon cookbooks. Chopping boards are spotless and utensils look brand new. The six-slot toaster is so shiny that at one point, the camera films its reflection. The kitchen is implausibly clean and ordered for a family of four. The sage-painted walls (Farrow & Ball, IвЂ™d wager) are tastefully hung with framed artwork.

FOSTER S HOME CHARACTERS TV

ThereвЂ™s a double oven, double-fronted fringe and Belfast sink with chrome hose tap - seemingly compulsory in TV interiors nowadays. ThereвЂ™s an enviably expansive island with a neat row of mid-century bar stools. As the tense Theresa rushes back and forth, fetching quinoa salads and gourmet side dishes, we get plenty of looks at her open-plan kitchen. When viewers first meet Maxwell MartinвЂ™s character, Theresa, she and her too-nice-to-be-true husband, Fraser (Rhashan Stone), are hosting a barbecue on a balmy summerвЂ™s evening. Leafy вЂњcool-de-sacsвЂќ, after all, are the latest property trend. вЂњThe DriveвЂќ, as residents call it, resembles an upmarket Brookside, with its architectural houses populated by hip young couples. ITVвЂ™s unsettling psychological thriller Hollington Drive, created by fast-rising screenwriter Sophie Petzal, is a missing child mystery set in a seemingly idyllic suburb. In her new drama, though, the double Bafta-winner gets upstaged by her own kitchen. As sheвЂ™s demonstrated in everything from Line of Duty to Bleak House, from Poppy Shakespeare to Motherland, Anna Maxwell Martin is one of our most accomplished TV actresses.

Foster s home characters